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sonnet 18, 130, 116

sonnet 18, 130, 116

 STRUCTURE
-Sonnet
SONNET 18, 130, 116
14 lines
->3 quatrains + 1 couplet
-lambic pentameter (10 syllable line. —> 5 stressed and 5 unstress

sonnet 18, 130, 116

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Uliana

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STRUCTURE -Sonnet SONNET 18, 130, 116 14 lines ->3 quatrains + 1 couplet -lambic pentameter (10 syllable line. —> 5 stressed and 5 unstressed) -Turning point 1.9- Sonnet 130 My mistress' eyes are nothing like the sun; Coral is far more red than her lips' red; If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. 5 I have seen roses damasked, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know 10 That music hath a far more pleasing sound; I grant I never saw a goddess go; My mistress when she walks treads on the ground. And yet, by heaven, I think my love as rare As any she belied with false compare. -talks about his mistress in third person. -speaks more negatively about the appearance of his beloved one -compares his beloved ones beauty to different elements of nature (Coral, sun, snow...). ->nature elements are more beautiful -conclusion: he loves his beloved one because of her and not her appearance, describes his love as authentic and without false compare Sonnet 18 Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling...

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buds of May, And summer's lease hath all too short a date: s Sometime too hot the eye of heaven shines, And often is his gold complexion dimmed; And every fair from fair sometime declines, By chance, or nature's changing course, untrimmed; But thy eternal summer shall not fade, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved. 10 Nor lose possession of that fair thou ow'st, Nor shall death brag thou wander'st in his shade, When in eternal lines to time thou grow'st: So long as men can breathe or eyes can see, So long lives this, and this gives life to thee. -talks directly to his beloved one -goes into raptures (gerät ins Schwärmen) about the beauty of his beloved one -compares his beloved one to a summer's day ->beloved one is more beautiful -conclusion: his beloved one's beauty is everlasting unlike summer and will remain as long as humanity exists Sonnet 116 Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O, no! it is an ever-fixèd mark, That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks to Within his bending sickle's compass come; Love alters not with his brief hours and weeks, - talks about his understanding of love in third person - talks about the different characteristics of love and the different circumstances that can change after time + he includes an argumentation about what love is and isn't - conclusion: he claims that love is eternal and unchangeable, so he believes that love will never end

Englisch /

sonnet 18, 130, 116

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Uliana   

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43 Followers

 STRUCTURE
-Sonnet
SONNET 18, 130, 116
14 lines
->3 quatrains + 1 couplet
-lambic pentameter (10 syllable line. —> 5 stressed and 5 unstress

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Structure and summary

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STRUCTURE -Sonnet SONNET 18, 130, 116 14 lines ->3 quatrains + 1 couplet -lambic pentameter (10 syllable line. —> 5 stressed and 5 unstressed) -Turning point 1.9- Sonnet 130 My mistress' eyes are nothing like the sun; Coral is far more red than her lips' red; If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. 5 I have seen roses damasked, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know 10 That music hath a far more pleasing sound; I grant I never saw a goddess go; My mistress when she walks treads on the ground. And yet, by heaven, I think my love as rare As any she belied with false compare. -talks about his mistress in third person. -speaks more negatively about the appearance of his beloved one -compares his beloved ones beauty to different elements of nature (Coral, sun, snow...). ->nature elements are more beautiful -conclusion: he loves his beloved one because of her and not her appearance, describes his love as authentic and without false compare Sonnet 18 Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling...

Nichts passendes dabei? Erkunde andere Fachbereiche.

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Mit dem Fragen-Feature hast du die Möglichkeit, jederzeit Fragen zu stellen und Antworten von anderen Schüler:innen zu erhalten.

Gemeinsam lernen

Mit Knowunity erhältest du Lerninhalte von anderen Schüler:innen auf eine moderne und gewohnte Art und Weise, um bestmöglich zu lernen. Schüler:innen teilen ihr Wissen, tauschen sich aus und helfen sich gegenseitig.

Sicher und geprüft

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buds of May, And summer's lease hath all too short a date: s Sometime too hot the eye of heaven shines, And often is his gold complexion dimmed; And every fair from fair sometime declines, By chance, or nature's changing course, untrimmed; But thy eternal summer shall not fade, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved. 10 Nor lose possession of that fair thou ow'st, Nor shall death brag thou wander'st in his shade, When in eternal lines to time thou grow'st: So long as men can breathe or eyes can see, So long lives this, and this gives life to thee. -talks directly to his beloved one -goes into raptures (gerät ins Schwärmen) about the beauty of his beloved one -compares his beloved one to a summer's day ->beloved one is more beautiful -conclusion: his beloved one's beauty is everlasting unlike summer and will remain as long as humanity exists Sonnet 116 Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O, no! it is an ever-fixèd mark, That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks to Within his bending sickle's compass come; Love alters not with his brief hours and weeks, - talks about his understanding of love in third person - talks about the different characteristics of love and the different circumstances that can change after time + he includes an argumentation about what love is and isn't - conclusion: he claims that love is eternal and unchangeable, so he believes that love will never end